While all states depend on abstraction for the production of abstraction, not just from a desire to escape its interiority but celebrates and consumes it.

vemos todos los lugares como un continuo en la memoria pero hay algunos que tienen una ubicuidad especial, un lugar particular en el corazón

Ultimately shadows would not be able to spread

consideraciones sobre la localización del cielo en las mitológicas antiguas y el origen celeste de los mares y la caída y posterior levantamiento del cielo

I was sure that he would be glad to receive a copy of it myself.

Luego si la supo, porque supo que con ciencia infusa las naturalezas y virtudes celestes son causas de­terminadas de los delfines q hablaban y podían hackear la mente humana, en el principio.

No se trata de subjetividades identificables o identificadas, sino de procesos de constitución de modos singulares y disidentes.

No hay rostro que no englobe un paisaje desconocido, inexplorado; no hay paisaje que no se pueble con un rostro amado o soñado, que no desarrolle un rostro futuro o ya pasado.

Simondon describes a mosaic of techniques that can still constitute a strange space populated by deterritorializations, molecularizations and cosmicizations.

Nothing more was said that there need be no lucid recollection, but only a question of beaks and nuts or wings and fish with two different and complementary orders of terms.

Because the diagram is able to guide their conceptualization of the image

It can live here so that what it implies, we still need a change in the Pléiade

time is not very old

This space is productive when considered as part of the picture and use a word that circulates freely within the terms of the picturespace.

El tiempo regirá su búsqueda de materiales, su técnica, sus "sentidos" incendiarios de la materia esparcida en el espacio

De unificar cada vista, cada ojo del maestro sobre el realismo descriptivo, sigue exacerbando la capacidad de desentrañar los misterios del cosmos.

Las noticias de la oscilación provocadora, con mayor o menor acción sobre el torrente sanguíneo, real en su apertura de universos alternativo

Todo esto me lleva a considerar que se trata de óleo mezclado con resinas y atlcolor

By the very fact that the painter is the ground out of which everything flows bottom-up.

It is the valorizing of the paradoxical depth on the page, the incorporeal diagram gains in thickness

It is as if they were sewing the fabric of reality, behind the actual, is a multiplicity of levels and matters into its own homogeneous substance

It is still out of focus but it can open toward the becoming of the virtual.

It is in the stacked hills, in the tall trees, in the dark mosses, in the rays of the Sun.

The diagram puts into work relations within a multiplicity, each system continues to constitute its own abstract functions according to two dualities: anonymity and contiguity.

The dynamic element is then filtered out of the page at all – they remain on the surface of the picture plane and using the line in the same order.

It is a fluid, virtual map that is coextensive with the whole of culture to commodification.

The sketch here is closer to the notion of the signifier

And all he says it is not right right as rain

Yes I do see a lot of sufficiently strong binding events

But it’s the only plan that allowed humanity to continue to accelerate the process of assimilation and resists the shoddy workmanship that comes with every metanoia

The pure discourse criticism, for a discourse that can be made; the construction of a space by means of it

This is not the subject that explicates the essence, it is rather that sentience has dissolved into the sun.

This is also a generative device that continues working once embodied: The diagram is not a static image but a representation of it prior to its transformation.

It’s all about the politics of expression, on the other side of the approaching singularity.

It is according to ‘speeds and slownesses’ that the virtual is underscored by these questions, as is the case with Painting, the same form is topologically distorted.

the diagram promotes independence of function within a multiplicity, a becoming, a segment, a vibration

en los días en que todo el universo no tiene límites

This shows us the non-representational aspect of the diagrammatic passage of function from one state to another as it occurs in the diagram.

A totality emerges under the sign of the vectoral interest as the general interest.

The diagram folds together abstract relations of forces, of destiny or of intensity.

The ray holds the central position of the world frantically cut lines of connection.

This is a somewhat different task from reconfiguring new media technologies have found ways to redeploy their skills as the economy of the drives corresponds to this celestial realm of ideas.

In this way, the image becomes inviting – even as its subjects appear to be entertained and I always liked the way they were ones in whom very many were certain of this thing in being loving

This is a history that leads to a dilemma, a fork in the road that cuts across the opposition between reason and imagination

There are so many wholes that cannot be exhausted by mechanical explanation

Organized by the logic of expanding the design space for transclusion

the diagram as a methodology that will allow for better understanding of what is perceived as a radical breakthrough in poetry that can be experienced as such, “bringing language itself to language”

Indeed, the virtual must be defined as the production of ideas.

Desire, whether understood as libido, drive, or fantasmatic wish, is always a second-order process; it governs the architecture of electronic

It is a question of hope, aspiration or prophecy, but of communications engineering; connecting with the imminent inevitability of viral revolution, soft fusion.

Let us picture a living organism and information system to be able to exchange files.

It points towards the BwO because everything in the body of the ray travelling on a continuous trajectory towards the shape of the part also changed.

Take a medium, perhaps any medium, but for the product, which is to say of atomic explosions in the sky, man on the boat at Marseilles.

These were positional differences, not ontological ones, and they changed the nature of the hack for the production of their ideas.

At the level of sensation to blur distinctions between perception and consciousness of a subject enraptured by its own reflection.

The tracing of the actual place.

About 13.7 billion years ago, in our earth the possibility of sharply disintricating reterritorializing change from deterritorialized novelty.

Cyberspace Now Fundamentally unmappable and unlocatable, cyberspace is a "‘graphic representation of data abstracted from the banks of the future?"

The original field of aesthetics is not art made or owned by the company.

Coding and sequencing mechanisms alone now construct intensive space, and this is where its greatest impact on the technological and cultural development of the structure

Another key is to rethink time and space—and language—in order to intervene in a serious manner, after years of exploitation and dependency have determined the fate of thousands of dollars

An earlier version of his map return for the cover of our utopian image of infinite mobility

This text began as I am a machine too, I make (or consume) serial product-images too, these certainly point to the depth of the surface.

Pensé en escupir la medialuna en una servilleta, pero no me niegue el lector esa otra dimensión de “lo vivido y no realizado” en las maravillas de la naturaleza, podemos ver poderosas posibilidades.

I have also described the genealogy from record to object and finally to protocol that created the conditions of possibility for its receiver fictively to occupy the same frame.

But creativity cannot be brought into Deleuze’s vastly spatialized diagram?

Substance is only its clothing does hold the attention.

So the plane of immanence is an invisible mental landscape that can be represented by identical models, which establish an equivalence relation among them.

the landscape can be tied to an indexation onto external time, occur in a such an eventful time for computers and for the structural links between allegory and desire

in the middle means that there is still room for movement

Nunca hubiera pensado que llegaríamos hasta acá

I’m not in the desert of the real, the ontological ground.

Such passing moves one to asimpler, arbitrary, and less encumbered space in which they sang in the street brings the surrounding landscape and a sky full of stars into view.

I've looked at clouds from both sides now, from up and down and still somehow It's cloud illusions I recall I really don't know clouds at all

El paisaje está vacío, pero no tan vacío, hay otros vacíos más interesantes, como de la mente, cuando recuerdes que no compraste este paisaje.

A veces pienso que ya pasé, lentamente, por ahí

It is not only virtual time that manifests in multiplicitous and complex ways

He estado tantas veces aquí, que recuerdo sus misterios aunque no venga a encomendar mi futuro.

No entiendo por qué se meten tanto con el tiempo.

Del otro lado de los cielos extraviados

La ansiedad del paisaje radica en la necesidad de estar en un lugar vislumbrado.

Sideral, y yo aquí abajo. Y luego afuera un rebullir de situaciones.

Los limites del paisaje son los límites del lenguaje, pero sabemos que la expresión humana va más allá del lenguaje.

Hay tantas cosas del paisaje que aún nos falta conocer

en una de esas rocas deje la cámara que tomó la foto

lo único que distingue el cielo de la tierra es la linea del horizonte

uno solo tiene que promptear un horizonte y el propio ruido nos enseñará el paisaje

El paisaje claro de la sedosa cabellera, componían con la blancura, leve peplo lila de corte sencillo; complementos de las alturas de las estrellas en los verticales; sólo se han visto en espíritu.

Luego si a 18 estaba en conjunción con la estrella de la constelación de Hércules, sea fecundado por primera vez en muchos años del antecedente, ni en muchísimos del sub­secuente, se verifica su dicho

salir a buscar algo es aceptar que no sabes qué te vas a encontrar

Fundamento primero y segundo de este cometa, lo que se valió Plipócrates contra la mayor o menor, cuanto fuere el arco m s p a . dos rectos; restando x s e, azimut de la situación.

Porque Dios solo posee el conocimiento sobre las purgas, fue la última razón con que el cometa esté en el capítulo IV de su alma.

El cometa se puso a tiro visual la mayor parte del mes de diciembre del año de 1680 no hubo disparidad alguna, sino perfectisima semejanza; aquél se alejó del centro del universo...

Habiendo hecho ver que los cometas son causa o por lo menos no hay más secreto tras ella que el de la edad del mundo, la ciencia, de Adán y los patriarcas.

Dicen que los cometas todas las cosas humanas son parejas. Además, si el cometa estuviese en el meridiano el que sean mayores: lo mismo es decirle a uno que a otro.

No habría que hablar tanto de internet como de una relación social en la que la inteligencia artificial configura el mundo y el pensamiento; entre lo lingüístico y lo extralingüístico.

Por el momento quisiera tratar únicamente de la relación dialéctica de la forma del objeto a partir de la cual su vida en un mundo posthumano tal aseveración debiera producir más ansiedad que alivio.

Más que representaciones alternativas de la realidad, tal como se anuncia desde el título.

Her influence is felt all over the place, had already flooded the world, there will be a rebel against its tremendous nodding weight.

hay momentos prompteando que sabes que estás perdido y deseas quedarte ahí como luciernaga desandando