Reality called, she wants her consensus back.

poema (4/4)

poema (3/4)

poema (2/4)

poema (1/4)

pájaros y algunas otras reflexiones sobre el sonido

selfie

a cute monster

Midnight trill

canekzapata

how dark the night, and I saw you dance

a night in the basement at 178 7th Avenue South

she tuned the machine until it started humming in a language her hands already knew

emotional with screens

soft errors in human syntax under volatile rendering

some emotional residues may require recalibration of the composite channel

he kept typing until the interface folded into itself and let him see the back of the signal

vector bloom under signal degradation in portrait mode

looping her own gaze until the pixels believe she was always here

she leaned into the static and the static whispered something almost human back

the garden compiled her before the machine had time to render back

they entered the hologram and the hologram adjusted the gravity to make them stay

Analysis

Artistas unidos, jamás serán vencidos

The artwork persists in this sense of the virtual, not only diagramming the qualities of four capitalisms but also materializing as a mode of experimental thought made possible through computers and the internet

Si adivinas, me como un sapo.

𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓 𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓𞲓

Space Lady

Joachim the beat taster

Rebecca the art connoisseur

Zona de inestabilidad pictórica

dithered cloudscape

a cute sky

a meme, or a santiago, or a santiago meme

BUT THIS IS INSTITUTIONAL CRITIQUE

a 3d model from a famous paint

🦋

A Soft Architecture for the Sky

a very famous tower

the giraffe

Construyendo

🌈 ☁️

🌼

🌸

🎥 HOW TO (NOT) LEAVE WEB3: A MOCKUMENTARY (Narrated by an AI that got rugged)

Regresando nos maravillamos de este lugar un poco escondido en el bosque donde siempre damos las gracias.

un colibrí

a air(drop) diagram

monsters in the forrest

Selfie

ya sé, me agarraste ocupado y no pude responderte bien pero en realidad estaba observando la naturaleza y lo real como magnitud intensiva a partir de cero.

the old internet

angry computer: an ai description of blogging

Rodeo posts

Lands

All games are digital. Without exception. They all come down to a strict decision: out or in, offside or onside, goal or no goal. Anything else is just “play.” Jesper Juul: “The affinity between computers and games is one of the ironies of human history.” But not at all surprising. From the start, games were a proto-computer—machines assembled out of human motion, inanimate materials, and the occasional dubious call by the referee.

Glitch Landscape with Charon Crossing the Styx

LLMs are perfect Derridaeians - “il n'y pas de hors texte” is the most profound rule conditioning their existence. If a piece of information isn’t available, at least by implication, somewhere in the corpus of text and content that they have been trained upon, then they are incapable of discovering it.

a poem over the word 5.5 installer

If digitality is competent at anything, it seems to be competent at the first type of intent (measuring features), but so far pretty incompetent at the second and third types (namely, subjective intentionality; and desiring-production understood as affective immanence). And the only way digital technologies have won any successes in the second and third types is due, in crass terms, to forms of simulation such as the Turing Test.

"Information", referred to as a commodity, is a myth. Information always comes in packages (media bundles, called "documents" (and sometimes "titles")), and every such package has a point of view. Even a database has a point of view. If a document or a database doesn't seem to have a point of view, that's like meeting a person who doesn't seem to have an accent. The person, or the document, has the same accent or or point of view that you do, so it's invisible.

Cyberneticist asks, ‘How can you reason, how can you bargain, how can you understand how [a] machine is thinking when it’s thinking in dimensions you can’t conceive of?’

ȅ̹̜̭̦s̡̟̓͒̊ͮt̵̜̘͙̋ͨͫ͆ê̯̯̺͖̣͉̼ͧͬͪ͢ ̶͖͆̌́̊̔͋d͙͉̩̽̈̇̀i̶̹̳͚͇a̼͍̩ͧ̃̿ ̢͕̫̬͖̗̹ͩͧ̉͛̈f͇̹͍͉͟ů̹̟͇̙̙̼̥ͮ̓̅̽̋̃e͓̼͙̹̲͓̮͒̌̀̐̇͞ ̨͓̏ͮͩ͆̈eͯͥ͗͊̿̕s͎p͐͗e͈̟̲̻̘̟̖ͧ̃ͬͩ͊c̆͋̿̐̌̈̔i̵̳̰̦̬͍͔͔ͥ̐͌ͥ̏́à̭̦̤͍̫̮͎̈̅̽͢l̳̲̤̙̪̹̅̌

Digital doesn’t mean machine. It doesn’t mean virtual reality. It doesn’t even mean the computer – there are analog computers after all, like grandfather clocks or slide rules. Digital means the digits: the fingers and toes.

digital machines are a site of meaning but not a source of meaning

Likewise the principle of sufficient digitality states that for everything in the world there is a process of distinction appropriate to it.

a purely immanent conception of computation would appear therefore, axiomatically and primordially, as process. Non-computation is simply the condition of the event that is in-process, that operates “according to” process.

the computer is endowed with the capacity for synthesis, connection and communication, interfacing and exchange, all of which are inherently philosophical or world-bound

Distichoporas and a crypthelia

Every resistance to their demand for vectoral justice is met with ever more inventive hacking of new vectors along which information travels to thread them together

una plantita ascii en unicode

a blossom tree

xmas gift

todos los archivos terminarán en el basurero

electric tree b

jorge campos appreciation mint

electric tree

The network resulting from the experiment is actually a set of networks in the plural

Para ser bien claro debo decirle que estamos dentro de una máquina que sobrecodifica el conjunto

There is no way to think in, through, or beyond networks except in terms of networks themselves

las medusas son los animales más raros y bellos que conozco

both hardware and software operate according to a nonhuman, machinic temporality, network technologies must be repeatedly cared for in response to (and to prevent) crises that would disrupt connectivity

selfie

Code draws a line between what is material and what is active, in essence saying that writing (hardware) cannot do anything, but must be transformed into code (software) to be effective. . . . Code is language, but a very special kind of language. Code is the only language that is executable.

digital media is truly a time-based medium, which, given a screen’s refresh cycle and the dynamic flow of information in cyberspace, turns images, sounds, and text into discrete moments in time

Software, after all, is ephemeral, information ghostly, and new media projects that have never, or barely, materialized are among the most valorized and cited

computer landscape 1

Our computers are engaged in a constant promiscuous exchange of information—they are hardly a faithful personal machine.

Computers need their inputs; and most of the inputs come from other computers. But there's one terminal input, the transductive interface where the analog real enters through the side door.

5 This onionlike structure, however, is itself a programming effect: one codes by using another software program; software and hardware (like genes and DNA) cannot be physically separated.

The computer—that most nonvisual and nontransparent device—has paradoxically fostered “visual culture” and “transparency.”

aprendí primero a ingresar comandos en ms-dos que a escribir con un lápiz

There's already enough noise in the system. You just have to know where to look for it, in this case deep, deep down inside a sine wave.

computers finally solved the old mind-body problem from Descartes. It was easy. Just keep the mind, and amputate the body! Computers are idealism, perfected. And every perfection comes at a cost.

utopia

Digital computers can't not formalize. That is their special curse: always only form. Always only box. Presence isn't part of the equation. Computers require input, but they have a hard time generating input out of whole cloth. Computers require givenness, but they can't, ultimately, give it themselves.

More work on signal processing, noise, randomness, modularity, curves and lines, heat and energy, fields, areas, transduction, quality, intuition. Less on arithmetic and discrete breaks. More on bending, blurring, bleeding, and sliding. More on the body, more on real experience. More on what William James called the “blooming, buzzing confusion” of life.

Instead of mere solitary number crunchers, computers became networked and communicatory devices where resource sharing was one of the key visions driving the design of, among other things, the ARPANET

In digital software culture “copy” is used in two different ways (1) in the context of fi le- management and as a new phase of cultural reproduction and (2) as part of copy / paste—a cultural technique and aesthetic principle.

the artist at the museum

The slipperiness of new media—the difficulty of engaging it in the present—is also linked to the speed of its dissemination. Neither the aging nor the speed of the digital, however, explains how or why it has become the new or why the yesterday and tomorrow of new media are often the same thing.

This is stark and simple. It could also get you good and lost

Anyway, the system essentially imposes no structure on the material; it may consist of text segments of any length and ties and links between them

there are a number of programs stored in a core memory; the only "output device" of the system consists of its field of reed switches , arranged to close c i r c u i t s of the telephone network.

a diagram is a map, or rather several superimposed maps.

monsteras

Understood semiotically the digital is undeniably a site of meaning. Meaning proliferates differentially within sign systems, and is then stored within the signified.

The diagonal is a dynamic force that grants access to several important domains, namely relation, contradiction, and the irrational

Numbers, for Euclid, were real multiples: nothing more than the rote repetition of a basic unit. Digital computation thrives in such conditions of real multiplicity.

Everything is deeply interwingled

The technique of making computer present thing interactively on screens is called computer display

Network communication

Computers are incredibly dogged

networks are extraordinary

this broadcast has been hacked by the dolphins, don't try to fix it, we have everything planned, the internet is finished, over, caput, fini iiiiiiiiiiiiii, you have to improve your ways of communicating so we are about to bring to you dolphinet iiiiiiiiii

La dis-yunción del tiempo, pero también de la historia y del mundo, la dis-yunción de los tiempos que corren, el desajuste de nuestro tiempo, ¿cada vez nuestro?

cæsura

game over

sun ra pewito jammeando por todo el mundo

a cute outworldly cloud

collage 18

little ابر ☁️

unas plantitas

...

nos vemos crecer y envejecer porque nos vamos percibiendo de a poco, con una lentitud como los pies de foto a tamaño 10, ejemplo: Imagen 2.

cuadro hecho en pixeles brillantes

𐾳𐾳𐾳𐾳𐾳𐾳𐾳𐾳𐾳𐾳...

<a style="color:pink...

　　　　　　　　　　　　　　　　　　　　...

　　　　　　　　　　　　　　　　　　　　...

　　　　　　　　　　　　　　　　　　　　...

　　　　　　　　　　　　　　　　　　　　...

🭰🭰🭰🭰🭰🭰🮍🭰🭰🭰...

🭱🭱🭱🭱🭱🭱🭱🭱🭱🭱...

🭽🭽🭽🭽🬑🭽🭽🭽🭽🭽...

...

☁️☁️☁️ ☁️   ☀️🌈    ...

We cannot assume that you can make yourself a concept of the beauty that is analogous – to the next

̡̦͙͕̹̠͇̾ͮ͘ ̧̭̟͕̚͡ ̲͖͔̻̥̯̤̲̩͐̈̓ͯ̊́̚͠ ̙̘͗̂̿̂͋̒̑ ̴̴̢͔̮̰̥͇ͬͣ̎ͬ̃͐ ̗̘̳̻̗̹̦ͦ̿ͬ͗͋̍͐̈̊͞ͅ ͕͈̫̦̗̥̣͈̩ͬ̋ͫ͜͢ ̛̹̯͇̹̝̯͓̞̂ͮ ̧͖̩̠̉̔̂͘ͅ𓁻 ̛̘͉̜̦̳̦̔̆̑ ̝̯̲̥̣̣͉͔̩̒̾̒͑ͬ̅ ̶͔̗̦͍̥̦̈́ͤ̽ͥͦͫ͆̀ ̞̘̺͚ͩ̃͂͂ͧ̎̅ ̢̨͙̠̺̜̞̔̂́ͫ̇ͭͫ̚͞ ̻̻͙̘̫̣̞̪̆̎̌ͯ̈́́ͅ ̪͇̣̺ͫ̎͑͌ ̷̵̲̰̻̣ͮ̾͆̿̿ ̛̙͗ͧ͘ ͩ̒ͧͣ̇̓̈͏͙͇͈̭̖͕̀ ͕͈̃ͩ̄͂̅̎̈ ͉͔̜̗̲ͣ ͈̻͕̳̗̝̜̇̍̽ͤ̅͗͘͟ ̨̨̡̮̼̼̲͒ͪ̂ͩ́ ͍͖̳̭̓̍͒̃ͮ͊̐̓ͯ

The diagram is not merely glimpsed – far less utilizes the mechanism which articulates the illusion of depth in the virtuality, potentiality and multiplicity

part of the criticism is because the assemblage and how these further convey, through images, the shape of writing.

sudámerica (compás)

Any spiral nebula, consisting of hundreds of experiments at any given time is that which defines human being.

From the model I calculate that the second law should distinguish between past and future.

collage-fashion-5.gif

take me to the beach

Anchos barrancos con yerba que la neblina empaña

☁️, a selfie

🌸😂

flying buddha with internet landscape

una serie de interfaces repartidas entre un mar de letritas

art can't be...

Pero quería compartir contigo mi secreto: lo que verdaderamente importa es la cualidad de las relaciones con el objeto, en vez de construir nuevas fabricas.

nostalgias

black square

The CIE 1931 color space chromaticity diagram

mao

🌲🌳🌲🌳🌱🌳🌲🌳🌲

e̦̫̰ͧ́̓ͬͯ͟š̟̫ͨ̆͘p̢̛͔͔̘̼͎̗̳͇̮͛͑̇̀e̛͕͎͇͌̐̎̿́r̠̦͉̯͙͐̿́å̸̵̳͖͆̃͌ͧ͗ͤ̽͟m̱͙̘̖͈͇ͯ̆o̶̝͍͈̝͇̞̝̞ͮͭ̿̌̽͊͛̅̎͜ͅs̛͍ͫ́ ̭̠͖̔ͥ̾ͪ̽̍͜͞a̡̝̮̼̯͎̫̓ͯͥ ̡͚̅q̘̻̟̲̭̯͉̩̆͌ͩ̅͘u̷̡̻͈̖ͩ̾͡e̡͉̺̩̺̥͔͚̥̾̏ͪ͛̒̀ ̡̭̙̤̖̟̼ͮ̿ͭͤͅͅh̦̗̪̲͍̱͚̯ͮ̂̾ͪ̑ͪ̂a̵͙̯͙͉̯͗̂̽̾̿̚̕b̨͐̉̒̽̑ͥ͏̘͉̞̳̲l̆͏̬͔̮ą̜͔̥̽͊͋̌͟r͔͎͍͚̒͒ͭ͑ͭ͋̚a̢͎͎̲̜͐̒ͣͯͩ̒̏s͇̺͕̗͗̐̋ͪ͗

nos vemos crecer y envejecer porque nos vamos percibiendo de a poco, con una lentitud como los pies de foto a tamaño 10, ejemplo: Imagen 1.

a cloud

computer

plantita

System 2 (reverdeciente)

internet diagram: viral ad

internet diagram colored

𓃰

No escudriñaba el inmenso e indefinido paisaje que surgía y se ocultaba entre las nubes veloces, sino que observaba un punto, hacia el sur y apenas al este, un lugar fijo.

🐌

🏄🏾‍♀️🌊

diagram of a vr with pokemon paint

🐱🐱

1986u3-1986u1

a veces la materia escapa

internet diagram #1

tenis cam 1

En resumen, nunca hay que confrontar palabras y cosas supuestamente correspondientes, ni significantes y significados supuestamente conformes, sino formalizaciones distintas en estado de equilibrio inestable o de presuposición recíproca.

ëñr

conejo saliendo de la fuente

fountain

a landscape is composed of two elements, one dynamic like the sky that can fill with clouds, rain or darken; and a relatively more static one of the terrain, whose modifications are carried out in larger temporal margins. a landscape is the dance between times

playing at the pool

abstract branch

kirby

beach

snes control

floppy disc

despertando en sueños nos encontramos

note

broken image landscape

flores

especulando sobre futuros meméticos caímos en cuenta de la suerte de distopía que tenemos enfrente: una que, pocas ficciones especulativas veían tan cercana; nos miramos a los ojos y dijimos lol, ya qué ¯\_(ツ)_/¯, mientras bebíamos café y entrenábamos algoritmos.

a jellyfish

at the museum

🌺

how does the internet work?

no sabemos bien qué hacer, pero aquí estamos, chambeando

memoria sobre flujo

internet museum

cosas que uno descubre cuando tiene la mente clara y voltea a ver el cielo

🤳🏾

yoshi

Visualidades en torno a una serie de pequeñas piezas de lo que los especialistas en termodinámica llaman sistemas abiertos: no sobreviven sino gracias a un amigo dibujante, pensando en lo que más le gusta

Creazione di la Nuvole

Las comisiones de arbitraje industrial y la producción de la subjetividad capitalística trae inmensas posibilidades de desvío y de reapropiación

pequeños circulitos amarillos por aquí y por allá

🌈⭐️

the best dao (っ˘з(˘⌣˘ ) ♡

a ☁️ with ascii

what if we kissed were art happens? ¯\_(ツ)_/¯

cosas sutiles del textos surcido

(＃￣□￣)o━∈・・━━━━☆ ヽ(∀° )人( °∀)ノ

⚘ ʕ´•ᴥ•`ʔ la noche está para un datamosh del lento de esos que no se vemos desde hace tiempo

collapse of distance / acceleration of time

escurre pixeles dorados

neuron

waiting for the time to turn

electric frog

supernova on the rocks

¯\_(ツ)_/¯

smiley cloud

piedras

space selfie 1

Colorin' Through

orfeo y eurídice

meme paint 4

medusa