Cult of Personality explores the transformation of influence into architecture. The work imagines a vast cathedral not dedicated to faith, but to image, spectacle, and the endless reproduction of authority. Gothic arches and sacred geometry traditionally associated with transcendence are repurposed as vessels for screens, broadcasts, and propaganda, blurring the boundary between devotion and consumption. At the center stands an altar-like monument surrounded by a sanguine fountain, suggesting both sacrifice and renewal. Above, storm clouds gather where one might expect a celestial sky, replacing divine revelation with perpetual crisis. Throughout the structure, towering displays project fragmented narratives, slogans, and figures of power. Some remain frozen as relics of belief, while others move and flicker, reminding us that modern myths are not preserved in stone—they are continuously transmitted. The piece reflects on how personalities become institutions and how attention itself has become a form of worship. In an age where screens mediate reality, influence is no longer confined to individuals; it becomes an environment that surrounds us, shapes perception, and demands participation. The cathedral serves as both monument and warning: a place where belief is manufactured, amplified, and ritualized through repetition. Rather than depicting a specific ideology or leader, Cult of Personality examines the universal mechanisms by which images acquire power and power acquires reverence. It asks a simple question: when every wall becomes a screen and every screen becomes an altar, what remains sacred?