The story of the ‘Micromegalic Inscriptions’ begins with a series of morphogenic simulations, which result in images of fictional landscapes and abstracted figures. These artworks are mainly created through an evolutionary build-up of lines, generated by the movement of interacting pixels. These lines are subject to rules of composition, weight and interaction. The irregular movement of pixels intends to achieve that “unpredictable swerve that occurs at no fixed place or time”.