Internal Weather looks inward, tracing the landscapes of thought and feeling that shape who we are and how we move through the world. Using repeated double exposures and digital layering in Lightroom Photoshop and Adobe Firefly, each image becomes a record of observation and reconstruction. Faces, shadows, and fragments of memory fold into one another, accumulating and refracting in ways that mirror the mind. The layering captures the persistence of experience, how we revisit the same moments, the same emotions, only to find them transformed by time, perspective, and the weight of what we carry.

The process of making the work is inseparable from its meaning. Each repetition, each overlay, is deliberate yet open to the unexpected. The digital tools allow for a kind of careful experimentation, a way to see how patterns emerge and dissolve, how thoughts echo and collide. There is an attention to detail and a patience in watching the work unfold, a recognition that the inner life cannot be fully controlled or predicted, only observed and acknowledged.

When I think of Internal Weather, I imagine the climates that govern our lives. Moods shift, emotions surge and fade, memories resurface in ways both familiar and startling. There is no linear narrative, no tidy resolution, but a landscape that is layered, complex, and all human. This work honors that universe, giving form to the patterns of thought and feeling that are often invisible yet profoundly felt. In turning the gaze inward, i believe it recognizes that our inner worlds are just as expansive, as varied, and as alive as the outer one we inhabit.