“DECOMPOSED CIRCUITRY” is a collection of pieces exploring the intersection between nature and technology, reflecting on their possible symbiotic connection. This visual study is articulated through 24 subtly pulsating works in which photography, AI, and glitch techniques are intertwined in a continuous process of mixed-media reinterpretation.

The principle of transfiguring recognizable elements becomes the guide for image formation, a way to create a semi-aleatory dialogue with the machine, while carefully deconstructing and combining the digital material into artifacts of imaginary vegetation, exploring shifting levels of realism and deformation.

In the mutating nature of these hypothetical species, the glitch elaboration serves to further question the relationship between physical and digital media, acting as a layer of palpable decay over each piece. It transports the idea of natural impermanence and decomposition to the virtual representation.

Title codes are generated by a script that analyzes each resulting image, extracting data from visual properties such as hue, saturation, luminosity, and contrast, and composing numerical sequences that are both random and uniquely linked to each piece.