Between the Fences unfolds as a reflection on how memory inhabits digital space. Each work translates fragments of domestic life into layered compositions where architecture, vegetation, and light dissolve into patterns of coded matter. The image becomes both structure and recollection, a field in which perception and data merge into a single visual fabric.

Yuri’s process operates within the tension between construction and disappearance. By reconfiguring photographic sources through digital procedures, he generates pictorial surfaces that retain the emotional density of lived spaces. What emerges is a quiet form of realism, one that no longer imitates the world but reconstructs its memory through computation.

Within the broader dialogue of contemporary digital art, Between the Fences positions itself as a study of intimacy within technological systems. It examines how the language of software can sustain the same sensitivity, imperfection, and resonance that define human gesture.

Presented at Art on Tezos: Berlin Curated by Fakewhale