Marine Bléhaut (French, b. 1992) is a Paris-based artist working across film, digital art and artificial intelligence to explore memory, care and identity. Bléhaut trained in art history, cultural management and graphic design before moving from contemporary drawing into digital media.
Bléhaut's films are set in near-future domestic worlds centered on female protagonists confronting grief, loss or a changed identity, often through relationships with AI agents, robotic therapists and synthetic mothers. Bléhaut treats memory as an ongoing reconstruction, drawing on research into trauma and collective memory to build artificial archives whose glitches and anatomical errors echo the instability of human memory.
In Electric Mom, made for the objkt labs Residency curated by Anika Meier, a mother named Hannah is reborn as an AI after a fatal accident, and is trained by a grieving father, Noah, on the memories of the woman lost to the accident. The artificial Hannah moves from programmed maternal devotion toward what Bléhaut calls a “quiet departure” and self-emancipation, leaving the family behind.
Bléhaut's 2025 photo series Anna's dream follows a central character, Anna, dreaming of different versions of Anna and of the house Anna calls home.Electric Mom was featured in the third issue of The AI Art Magazine, themed “Spatial Intelligence”.
