Genoma is a 3D animal artist and developer of "Metaphorical Naturalism" (or Meta-Naturalism), an artistic practice devoted to the metaphorical depiction of physical & biological knowledge, like force, velocity, resistance, and other natural or behavioral phenomena. The inclusion of "Meta-" prefixed to "Naturalism" is the idea that the artwork is intended as an expression of the central assumptions and restrictions of Naturalist thought, which would include ideas like the closure of the universe, and the internal relationships of physical objects governed by laws. As an artistic practice, a Meta-Naturalist artwork is motivated to "present" or "exhibit" the facts of the world, or aesthetically describe the state of affairs of how the world is currently understood. Its central objective is to inform and motivate interest in the public through the aesthetic propagation of scientific discourse. The practice of Meta-Naturalism is to aestheticize scientific discourse, as it results in an art that is dedicated to being about scientific conventions. For example, in studies of honey bees, it has been postulated from experiments that they are able to perceive a special kind of "white" color to locate flowers that humans cannot distinguish. When practicing this meta-naturalist attitude, the artist will intend to exhibit this fact in the artwork. The subject matter, therefore, is not the honey bee, but the state of affairs between the honey bee and the flower that has this special relation. Meta-Naturalism is not limited to physical facts but also includes quantifiable social phenomena such as ethical relations or human behavior. As an attitude, there are no stylistic prescriptions but metaphorical commentaries about the actual world. A great example is Richard Sargent's "Anger Transference", 1954. In it, we see a sequence of pictures illustrating how our emotions somehow get transferred to others. This is a real phenomenon in behavioral science called emotional transference. The initial motivation behind Meta-Naturalism was to have an aesthetic devoted to animal art. This began in 2019 with "Neighborhood I (Hummingbird Colliding Against A Surface). My first four pieces dedicated to this idea were an attempt to aestheticize the interaction of matter and forces of nature. Later I realized that it could be expanded to be defined as a general artistic attitude that can include all kinds of creative depictions regarding phenomena.