a warm winter day in Los Angeles. blue skies. green traffic lights. red taillights. and an infinite maze of cars Frozen in Time.

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after a year of pushing the boundaries of vector art, i felt the need to enrich my visual language and explore the realm of digital painting.

"Green Lights of LAX" introduces a new dimension to my body of work.

that new parallel, WET PIXELS, was inspired by my fascination with the wet-on-wet oil painting technique known as alla prima.

if my hyper-detailed vector art is to document the moment, in WET PIXELS, my goal is to translate it.