I’ve figured out how to adjust the colors, but it’s no easy task. There are at least six potentiometers, each controlling a different color channel. To make things clearer, I marked each one with a colored sticker.

Yet even with this system, I’m still navigating blindly, never quite sure what the final recording will look like. But that’s part of the thrill—it keeps me eagerly anticipating every new sequence I capture. It reminds me of the days when photographs had to be developed from film, leaving the final image shrouded in mystery until the very last moment.