Living together is a fragile construct of contradictions – a shimmering balancing act on the razor's edge of closeness and distance, devotion and rejection. This exhibition distills the essence of human interaction: the chaos and beauty, the inseparable entanglement of love and disdain, of harmony and conflict, of desire and resistance. It is a dance that compels us to endure the ambiguity embedded in every touch, every gaze, every word.

Coexistence is not an idyllic unity, not a static paradise. It is a vibrant current, a pulsing paradox. It demands the ability to hate the beloved without loving them any less. It insists on facing unsolvable conflicts not with resignation, but by embracing them, enduring them, and accepting them as fundamental to life itself. Here, living together is not portrayed as harmony but as an ongoing negotiation, a process of breaking and mending, tearing apart and reweaving.

The works in this exhibition are both a scream and a whisper. Distorted forms, intertwined bodies, shadowed lines – they speak of encounters without resolution, of moments where intimacy and alienation become inseparable. They reveal that life is not about avoiding contradictions, but about surviving within them. Living together is not peace; it is the constant act of enduring, navigating through the thicket of contradictory emotions.

In Semantics of Coexistence, the tension between harmony and conflict becomes a space where we can recognize ourselves and the other – not in perfection, but in fragments, in shards. The exhibition calls upon us to not only accept the ambiguities of human connection but to celebrate them as the essence of being. Here, coexistence becomes the art of endurance, the poetics of imperfection, the choreography of a life made bearable in all its contradictions.

These works invite us not to shy away from the tension but to live it, to suffer it, and, within it, to find the profound, inexhaustible truth of human coexistence.