Breaking up a normal situation, in terms of the conventional image structure and photography technique, or the conscious choice of black and white photography, the lack of perspective or, on the contrary, the deliberate use of it for the dramatic and narrative expansion of a perhaps very normal situation in an established mentality such as walking or sitting Sometimes surreal and sometimes documentary, and perhaps other poetic perceptions, such as the photographer's objectivity towards the theme of loneliness, time, linking figures to the context of place, etc.

But before all these characteristics, which can definitely be the function of a photo in the sense of the aesthetics of its form and content, one should refer to the "self" of the photographer's personality.

The foundation of these photos is "self-presence".

Being yourself, in terms of the photographer's belief and view, first of all, on the relationships, relationships and observations around him, and then this brief and at the same time completely personal image recording of the subjects moving around, standing, looking, and finally the narrator of the situation. Their story in the frame of the picture from the point of view of "self". Being the photographer with them and vice versa, being ourselves as the people in the frames.

Photography by Meysam Ghiasvand Statement by Raven Slb