It seems inevitable that memories harboured since I was a male child, teenager and then later as an adult would cross over and appear in my creative art production. With the onset of the Internet I sought ways to express these memories of human interactions though interdisciplinary and multidisciplinary modes, through physical substrates, digital renderings including film, performance and audio installations. The female form as a witness, muse, mother, friend and foe alike often surfaced in works which explored my understandings or inquiry of my own personal relationships, often intermingled in a lurid and symbolic juxtaposition.

Artificial intelligence has provided me with the means to better articulate this relationship, vividly bringing together an assemblage and collage of seemingly unrelated objects, where the female character is the emotional conduit, the physical setting or stage often invoking a sense of dread, awe, candour and yet at the same time compelling the audience to consider their own associations and correlation with beauty, the sublime and evil incarnate. Key themes or collections emerge when the viewer considers memory scenes as a means to better understand the psyche of the creator. Ethical dilemmas by contrast emerge when creative artists experience reaction to the visual composition through ever present critical invigilation and moral overtures of human society filthy rich with ambiguity, paradox and contradiction.

Single edition AI generated digital art works, varying dimensions at 240 DPI with AItubo Flux v1.0, SD XL v1.0 or Dreamshaper v8, random Lora and styles, render complete with LuminarNeo.