Twenty‑first piece of the Mobile system. A figure leans into the frame with a wide, fractured smile, holding a mobile device at arm’s length as the screen reflects a distorted version of the same face. The portrait folds into itself, creating a recursive loop where the subject and the digital image collide in a single cubist plane. Angular lines slice through the composition, breaking the features into overlapping shards while the background’s vertical and horizontal strokes evoke the static texture of a digital interface. The asymmetry of the eyes and the exaggerated contours amplify the tension between authentic expression and its mediated replica. The rectangular framing around the figure reinforces the selfie‑like structure, turning the entire scene into a symbolic window of self‑perception, performance and digital identity. Pencil drawing refined through digital intervention, heightening the recursive distortion, the layered textures and the mobile‑centered gesture at the core of the piece. Part of the 27‑piece Mobile sequence exploring self‑reflection, digital mirroring and the architecture of the human face Editions : 1 120D21C