Twins explores the idea that many of the differences we use to define one another exist more in perception than in reality. By intentionally reversing visual expectations, the work challenges assumptions about identity, race, and belonging.

The two figures emerge from a shared structure, symbolizing a common humanity beneath outward appearance. Though they face in different directions, they remain connected, suggesting that individuality and unity are not opposites, but complementary parts of the human experience.

The piece asks a simple question: How much of what separates us is real, and how much is created by perspective?