This work explores cutting not as destruction, but as a shift in perception. Fragments and ruptures in the image act as interruptions that alter how the visual field is read. Rather than revealing a single hidden truth, each cut opens a different way of seeing. The work suggests that perception is never fixed. What we call reality is shaped by position, absence, and framing. Here, cutting becomes a generative act: it removes, but at the same time creates the possibility of another view.