His interest in digital and 3D art grew out of a wish to work on games and animation for music videos, and he began studying 3D in 2019.¹ xpQzl builds interactive systems, custom shaders and procedural models in the Godot Engine and Blender, combining hand-drawn elements with algorithmic processes to construct immersive audiovisual worlds.²

The project ||:-MASSIVE_PAINTER-:|| began during the early days of Hic et Nunc as an experimental audiovisual tool: 128 editions on Teia, each paired with a unique 1/1 output generated using a collector's wallet address as a seed. Built on a fork of ktorn's evolving artwork contract, it offers two modes: a Drawer Mode where the collector steers a three-dimensional mesh in real time, and a Random Movement Mode where an autonomous algorithm takes over. A generative music engine the artist calls the MASSIVE ALGORITHM adds a real-time score influenced by old-school jungle and drum and bass, with the rhythm of the audio shaping the visuals in turn.¹