His 2017 aerial photograph Dichotomy., taken by drone over Rajahmundry, shows a hard, near-ruler-straight line dividing dense residential roofs from an ordered field of palms. Pulapa describes the ordered side of the image as a jail facility and the other as a residential neighbourhood, using the aerial view to ask what confinement and freedom can look like from above, though the facility itself remains unidentified in the public record.⁴ As of August 2026 the work had been selected through the 6529 Museum Network's Keys and Gates acquisition program but had not yet been minted or added to the permanent collection.^1,4 In 2025 he also made the digital work Liquid Canvas.⁵