In 2022 he released Sinking Cities, a fixed series of 3,000 generative artworks on the Polygon blockchain intended to raise awareness about rising sea levels.¹ He has also collaborated with the artist Laxraven, including on The City and on Mining Structures, a collection on fxhash based on one of Laxraven's architectural drawings.^2,3,4 Circle Of Life, released on the platform Alba, simulates organic growth in a constrained environment, with cells spawning, dying and making room for new ones, set to a generative ambient soundtrack.⁵ The project was inspired by a Gorilla Sun blog post on recursive circle packing algorithms for organic growth patterns.⁶ Several of his other generative pieces translate classic computer science problems into visual systems.^7,8 The Beauty In Small Things connects millions of rotating points into overlapping lines using a sweep line algorithm to find the closest pairs in the set.⁷ The Traveling Salesman, named after the classic shortest-path problem, was released as an open edition of 574 on fxhash using the platform's fxparams system to let collectors shape each output.⁸

Information Age, developed in partnership with the platform Artgene, was minted on Ethereum on June 13, 2023, its distorted grid patterns paying homage to the colours and textures of Pablo Picasso, Paul Klee and Victor Vasarely.^9,10 He released Fit as a free open edition on Base via the platform Highlight, inspired by the lyric “Square pegs in square holes” from Joe Jackson's 1980 song of the same name.^11,12 Interfaces translates the movements of dancers, captured as data, onto a digital stage rendered in code.¹³ In January 2025 he released Kritters, a PFP collection on drip.haus that grew out of an earlier, unreleased long-form generative series he called Monsters, inspired by pen-and-ink drawings, gothic tattoo art and the writings of H.P. Lovecraft.^14,15,16 Feeding outputs from that project into the Flux AI image model produced the consistent character designs that became Kritters.¹⁵