Rather than using pigment as a fixed surface, nuv1914 treats color as emitted luminance, working mainly in blues, grays and blacks that shift with the viewer's perception of depth. Her geometric structures recall the Constructivist and Suprematist work of El Lissitzky and Kazimir Malevich, though built without the physical constraints of paint, ink or paper.¹

In August 2026, her work was included in the group exhibition “STILL WET” at Galerie Met in Berlin, running from August 15 to September 5 and curated by Kika Nicolela and Ruizhe Liang. The show was presented in collaboration with the platform Objkt.com and brought together artists including Patrick Tresset and Daria Rastunina.²