Bio
Visual artist who has been designing specific « brush » (a custom computer software in C++) capable of lacerating video flows by slicing only the moving parts. These forms in constant evolution are then used as a stencil shape. Like on a Praxinoscope, each fragment is added on a loop. In the lineage of the "poster artists" of the 1960s, by laceration, by accumulation, his works make coexist multiple temporalities.
Addresses