His interest in programming deepened during the pandemic, leading him into NFTs. He released work on Ethereum and Tezos before his generative series Blueprints brought him to Bitcoin.⁴ Conceived as a homage to the generative art pioneers Vera Molnár and Herbert W. Franke, Blueprints builds unstable architectural diagrams from just three elements: rectangles, lines, and symmetry.^4,5 Blueprints was released through Gamma, a Bitcoin Ordinals platform, on January 3, the anniversary of Bitcoin's Genesis Block, and sold out in under five minutes.^4,6 Atimtay has said the permanence of inscribing generative art onto Bitcoin appealed to him. He has described the protocol's constraints as sharpening his process: “You're forced to distill your work to its essence... There's no room for excess, and I love that constraint.”⁴ His second Bitcoin Ordinals project, Pulseforms, is inscribed with a lifespan of 1,024 to 4,096 blocks and evolves on-chain, generating an evolving soundscape he calls a chant.^4,7

In Anthill Tapestry, rectangles are placed, repeated, and rounded until their corners soften into a woven, organism-like structure inspired by the hidden complexity of ant colonies.⁸ Liminal Strata grew out of a personal confrontation with his own mortality, coding layered structures that mirror how memory folds, fragments, and resurfaces over time.⁹ Woven Algorithm grew from his childhood among the kilims and rugs of Anatolia, where he later found the same diamonds and hooked edges reappearing in his plotter-drawn generative patterns.¹⁰ Atimtay credits early generative art pioneers including Vera Molnár, Manfred Mohr, Georg Nees, Frieder Nake, and A. Michael Noll as central influences on his practice.⁴

His work has been shown at venues including the Museum Angewandte Kunst in Frankfurt, Times Square in New York, and Berlin Blockchain Week.¹¹ Woven Algorithm was exhibited at the Noise Media Art Fair in Istanbul in September 2025.^10,11