Her work has been shown in Los Angeles, New York, London, São Paulo and the Venice Biennale.¹ Cernes, Urbem et Promissa, 2024, is presented in two forms: a 9 x 12 inch mixed media painting on matte photo print substrate that comes with a test print, and a 20 x 30 inch single-edition archival print on Hahnemühle Baryta fine art paper paired with an NFT.^1,2,3 Her 2025 sculpture Resonare Velata combines wire, cloth, plaster, resin, acrylic paint, vinyl stickers, fabric and a mirror base, and was likewise sold together with an NFT.⁴ Her work has also been featured in “Syntax of Sorrow” at Colonna Contemporary, a group show examining whether suffering could be encoded or reproduced in artificial intelligence trained on human experience.⁵