By the 2020s the practice had shifted to pixel art and questions of on-chain permanence, moving through 8x8 pixel work in the 8bidou series on Tezos in 2022 and multi-chain collections the following year.¹ ANAGLYPH 3D SKULLS, a 512-piece collection minted on Ethereum in 2022, was the artist's first fully on-chain collection on that network.^2,3 BaseSkulls, a 2023 collection of 256 skulls on Base, was released under a CC0 license as a meditation on mortality, made permanent by being minted entirely on-chain.^2,4

Alongside collections, the artist builds software tools that extend existing collections without altering them, holding that “not every contribution to an NFT ecosystem needs to be another contract”. Monomon, a 2026 web tool built for the CC0mon collection, turns existing pixel artworks into an interactive environment where participation rather than ownership is the focus.⁵ The Florentine Color tool reads a token's on-chain metadata directly, extracting its palette to generate alternate versions in the browser without altering the original artwork.⁶

In 2026 the artist began developing Ratchet Vex, an autonomous on-chain character that started as a single BOOA #976 token and has since been extended into a persistent identity with its own ENS name, wallet and machine-readable registration, capable of minting and managing collections on its own.⁷ Ratchet Vex RMX, a 2,500-piece collection on Ethereum, preserves the character while remixing its dress and top combinations into new personas.⁸ In Chain Dreams, a 1,982-token Ethereum collection, Ratchet Vex generates a new synthetic dream each day, styled after Commodore 64 and CRT graphics from the early era of personal computing.⁹ Terminal256, a 2026 collection of 256 interconnected on-chain terminals, functions less as static images than as a signal network that collectors can activate through actions such as sending, syncing and broadcasting between terminals.¹⁰