At the design school he learned book-making and silkscreen printing before turning to the then-experimental medium of virtual reality in 2015, when he co-produced three projects, DRIFT, Along the Trail, and Panopticon, for an international competition organized by Oculus. All three won awards and brought him support from Facebook and Google.² He went on to co-found SharpSense, a studio producing interactive VR experiences and video games, the experimental publishing house Parallèles Éditions, and Panoptic Lab, a collective devoted to VR experimentation.³

In 2019 he spent a year in Japan exploring photogrammetry, a technique that builds three-dimensional volumes from photographic point clouds, before returning to Paris.^1,3 With the photographer Dimitri Daniloff he later used the technique to create 10M DE POINTS, an interactive virtual-reality piece that won the immersive-creation award organized by EDF Odyss'Elec and Fisheye Magazine and was shown at the VR Arles Festival.³ With the artist Pierre Zandrowicz he created What is Left of Reality, a scan-based documentary experience about solastalgia, the psychological distress caused by environmental change, shown in the exhibition “Les Ailleurs” at La Gaîté Lyrique in Paris in 2021.^2,4

Generative art has since become his preferred medium, particularly long-form collections that explore universal emotions while questioning web3 culture and its ecosystem.¹ These include The Past Ahead, released on fxhash in December 2022.⁵ His work was also shown in the exhibition “Tongyeong Triennale 2022 - Take Your Time” in South Korea.⁶