Evil Biscuit is a pseudonymous artist whose work tracks how images mutate as they circulate through gaming, anime, meme and collectible cultures. Working through collage, GAN-processed overlays and NFT trading-card formats, he layers screenshots, textures and found imagery into dense, chaotic compositions. He is known for the Drifella series, which stretches the profile-picture NFT format into installation-scale, high-and-low-culture collage.
Drifella and Drifella II adopt the head-and-shoulders composition popularized by CryptoPunks and Bored Ape Yacht Club, centered on a recurring silhouette — part boy, part cartoon dragon — whose form dissolves under unrelated images, textures and text. The original Drifella collection, introduced in 2023, was built around a lore in which Dratini, a Pokémon character, dies and is resurrected with the soul of Mifella, a character from the Milady-adjacent NFT world, to become Drifella. In Drifella III (2025), that excess expands into space: each of its 1,333 rooms holds a triptych of paintings, for a total of 3,999 works and more than 5,000 traits, assembled using the PFP-generator tool HashLips as a collage instrument rather than a simple trait-randomizer. The compositions visually cite painters including Francis Bacon and Willem de Kooning alongside illustrators such as Akira Toriyama.







