Each work in the series is set in one of sixteen color palettes, each named after a city and drawn from the artist's own travel photographs. The themes in the artist's work often begin with echoic memory, in which overheard background dialogue from films is remembered through an associated colour and feeling. That association shapes a piece's sets, colours and title, as with Such A Lovely Time, whose name comes from a line in a film.¹ The artist also gave software assistance on Heart of Wood, a kinetic wooden sculpture and light installation created by Gwylim Johnstone, Anna Torvaldsdotter, Håkan Lidbo and Jaime Reyes for the Sara Cultural Centre in Skellefteå, Sweden, commissioned by Skellefteå Kraft to visualize the building's smart energy system.²