His Monsters series, 52 hand-drawn one-of-one characters released on objkt.com, began as cathartic portraits of the bigotry his family and community faced during the pandemic, imagined as grotesque yet familiar monsters that grew into a wider bestiary representing otherness.^2,3,4 Holders of Monsters receive periodic Spawns airdrops, a companion collection of on-chain pieces distributed to them over time.³

In one-of-one works such as The Object of Desire, minted in 2022, he examines consumer culture, turning an everyday object like a soda can into a symbol of conditioned desire.^2,5 For “The Erosion of Time” at the Museum of Art + Light in 2025, he made afterlight, a large-scale projection piece for the venue's Mezmereyz Gallery depicting a moonlit field of flowers littered with the discarded relics of planned obsolescence, among them a car shell, screens, and soup cans.⁶