Within the rural setting of a timeworn house, two sisters appear as vibrant presences against the backdrop of decay. One stands before the façade, the other reveals herself at the window, both engaged in a silent dialogue with the space. The red curtain moves endlessly, breathing life into the interior, while in the yard the rusted drum collapses into glitch, breaking the logic of matter and exposing fractures in the memory of the place. The encounter between the human figures and the altered object creates a hybrid narrative: the drum, once a mere remnant of abandonment, becomes a protagonist marked by digital distortion, as if time and reality themselves were corrupted. The Sisters and the Drum is thus a metaphor of resistance and transformation, feminine presence, material ruin, and technological interference coexisting on a stage where forgetting is never complete.