A fingerprint is a mark of certainty, but here it is the only thing holding the image together. The face is seeping through the glass, losing its definition to the moisture and the light. It is a visual essay on the slow erosion of the ego—the way we lose bits of our essence to the environments we inhabit and the people we encounter. We are constantly leaking into the world.
The intimacy of the close-up creates an uncomfortable proximity, forcing an encounter with a gaze that is partially erased. It feels like a recovered memory, or a photograph found at the bottom of a lake. It speaks to the parts of us that cannot be contained by skin or bone, the parts that inevitably spill out and leave a permanent, blurred stain on the surface of reality.