Ones: Glasslands

This work is part of my ongoing research into how visual abstraction can evoke psychological and emotional states without relying on literal narrative.

Glasslands offers a sensorial journey through fluid, refractive landscapes where glass behaves like living matter. Entirely crafted in After Effects, the piece explores the ambiguous space between the organic and the artificial, the solid and the liquid, the emotional and the abstract.

Through a choreography of translucent textures in constant metamorphosis, the work aims to induce an immersive experience rather than present a fixed image. Everything in Glasslands is transition, latency, and motion.

It inhabits the threshold between form and dissolution, evoking an emotional topography where the viewer is invited to project their own inner state.

Music: Georg Friedrich Händel Concerto Grosso no. 8, HWV 326 - IV. Adagio