There was once an alien named Xlithro who dreamt of fame. Not just any fame—cosmic, undying fame, the sort that would echo through black holes and make even the oldest galaxies gossip. But Xlithro was ambitious in a very peculiar way. Xlithro didn’t want to be known as a scientist, a conqueror, or a galactic emperor (boring, been there, done that). No, Xlithro wanted to be the greatest opera singer on the dark side of the Moon.
Mind you, Xlithro’s planet, Zogmorph-7, didn’t even have opera. They thought it was some absurd Earthling tradition where beings yowled at uncomfortable frequencies while draped in absurd costumes. But when Xlithro intercepted some stray radio waves from Earth featuring a particularly dramatic aria, something in that screeching resonated deep within their alien core. Xlithro knew in that instant: it was their destiny to bring opera to the dark side of the Moon.
Of course, the universe wasn’t exactly handing out opera lessons. Xlithro had to improvise. The first step was securing a venue, and the only suitable place for the “moody, dramatic ambiance” that opera demanded was, obviously, the Moon. It wasn’t exactly built for sound acoustics, being a massive, barren rock and all, but Xlithro didn’t care. Art demanded sacrifices—and if those sacrifices included sound quality and possibly an audience, so be it.
Next was the costume. Xlithro painstakingly designed an ensemble that combined all the “Earthling” opera staples: a cape, enough ruffles to choke a black hole, and an extravagant, glittering helmet to complete the look. It was the height of Zogmorphian fashion, a look they would later describe as "gothic celestial chic."
Then, Xlithro made their way to the Moon, humming scales the entire journey. Once they arrived on the dark side, they looked out across the bleak, silent, and vast lunar landscape. “Perfect,” they muttered, gazing out at the shadows. This was exactly the vibe they were going for—stark, desolate, vaguely depressing. It would be the ideal backdrop for an aria about existential loneliness, written by an alien who barely understood what that meant but figured it sounded appropriately deep.
Taking a deep, unnecessary breath (because Xlithro didn’t actually need to breathe), they opened their gaping, tooth-lined maw and began to belt out what was intended to be a soulful, haunting rendition of their original composition, “Lament of the Eternal Void.” Unfortunately, the result sounded more like a malfunctioning rocket. For all their ambition, Xlithro hadn’t realized that their anatomy wasn’t quite designed for the tonal delicacies of Earth opera. Instead of stirring sadness, the only thing they stirred was moon dust—and an irritated asteroid that had been napping nearby.
But, ever determined, Xlithro persevered. They sang with increasing fervor, howling their heart out in the cold, silent vacuum, entirely unaware that their majestic performance wasn’t reaching any ears at all. The sound waves didn’t travel, the dark side of the Moon had no audience, and the only feedback they received was a meteor that grazed past them in what could only be described as celestial side-eye.
Eventually, Xlithro concluded, dripping with imaginary sweat, their cape floating elegantly in the zero-gravity breeze. They stood there, chest heaving with pride, feeling certain that they had accomplished something extraordinary. In their mind, they'd just delivered the greatest opera performance the Moon had ever seen (technically true).
And so, with great pride and zero applause, Xlithro packed up, floated back to Zogmorph-7, and awaited the cosmic acclaim they were sure would come… any day now.
To this day, Zogmorphians still tell the tale of Xlithro's "Luna-tic Aria," usually as a warning about the perils of "Earth culture" and delusions of grandeur. And on a quiet night, if you listen very carefully, you can hear the faint echo of an alien aria, still reverberating in the lunar dust… if only Xlithro had known to bring a mic.