Ode to the pause: Abandoned Playground

Every territory becomes a potential stage or context for action: this time, an abandoned tennis court reclaimed by the Yunga. Three of us enter the scene in a choreography designed solely to highlight the surroundings; the chroma key appears once again, not as a mere effect, but as an excuse for an encounter with the land. The drawing betrays the next movement while freezing the previous one. We use our bodies because they are our primary and most familiar tool. Each new video-performance reveals the fieldwork we conduct prior to the start of every new collection.