The shoreline remains constant while everything else dissolves into spectral illusion. I arrange my collection of emptiness—glass vessels that serve no purpose beyond capturing light. Each morning, I position them precisely where the sun will find them. Reality splinters. The prisms birth phantoms across my walls. They are more honest than what lies beyond the window: that fixed horizon, that unattainable distance that never changes no matter how long I walk toward it. Time bends here. The liquid in the bottle remains untouched for years. I sometimes forget if I am the observer or merely another refraction—a temporary pattern of light destined to shift when the sun moves on. The colors dance, beautiful and terrible. They promise transcendence while reminding me of my confinement. I have created this small universe of fragmented rainbow light because the unbroken world became unbearable in its persistence. Outside, the water reflects the sky, which reflects the mountains, which reflect nothing at all. Inside, everything reflects everything else until meaning collapses under the weight of its own representation. I remain, cataloging ephemeral patterns that will never repeat exactly. Perhaps this is freedom—to exist between the thing and its distortion, in that liminal space where neither claims dominance.