Handful echoes humanity's oldest impulse to leave a signature, the handprint. The figures inhabit their own logic, with invented faces that exist nowhere in reality and bodies arranged in positions impossible in physical space. Like dreams, the work operates outside the constraints of the observable world, creating forms that follow an internal rather than external truth. Working intuitively, the work captures something that emerges from beneath conscious thought. The handprints become both ancient gesture and contemporary act, saturating the surface with evidence of the body while the figures themselves float in a reality accessible only through the unconscious process of making.