'' as above, so below '' . In a super compositional merger, I've constituted a figure and a context of presentation with my recent research and experimentation with the influencer aesthetical structure and figurative mechanics. By moving forward into the meta integration of intertextual and interfigurative element of my own developing visual asset inventory, the picture explicit a constitutive momentum, acting as a temporal node to our common accelerating technological and ontological status. A self-portrait, one would say, but it is so much more. . The figure is named Victoria Institunia and she is my digital self, my avatar. At the conjuncture of material and virtual, atomic and electric, I empĥazise a polarizing preoccupation throughout the contemplation of self-deployment into the metaverse and the unexpected advancement that the technological leap will present us.
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