Digital Trash: ETHEREAL: MODEST COMPULSIONS(PISS CHRIST IN THE FOUNTAIN)

TRASHED GIF VARIANT 1:1, Series of 5 Andres Serrano’s “Immersion” aka “Piss Christ” is a pathetic piece of shock art that has tainted the glistening porcelain veneer of Marcel Duchamp’s “Fountain” in Jay Delay’s new “Degenerative” art installation titled “ETHEREAL” AKA “MODEST COMPULSION” which was installed earlier this month at the Eugene O'Neill Library. The installation, which was described by Duchamp’s biographer Dr. Richard Heinberg as “A raging success’, was quickly denounced by people all over the country. The site of the Duchamp’s creation at the CUCAM on Yawkey Way, Boston also known as “Future City’‟‏to subliminally hijack into believing the spectacle was anti-capitalistic and a response to the aggression of capital. He has also made “Insta’‟‏Jesus’ a craven meme in the conversation that reflects the mood of conformist liberalism.

The working title for “Piss Christ” was “Listening to Paradise” — yes, “LISTENING TO PARADISE”. Is anyone willing to pay any attention to a piece of art whose name is written in 3 roman numerals — the answer is no, the answer is yes. “LISTENING TO PARADISE” is a batshit stupid piece of no good nonsense that allows us to urinate on an object of reverence, a symbol of sacrifice, and call it fine art? Delay has very a very broad definition of art and makes no claims to define what it means for others, and is often quoted as saying “I’ll leave that to Merriam or Webster”.

“However, I do know what to put in urinals “ Delay remarked when prodded in the Eugene O’Neil Library Men’s room where two newly installed “fountains” were filled to coincide with the opening of exhibition “Time To Stand Still’. The work also consisted of a surrealistic 26-foot length of conveyor belt, accumulated 42,500 signatures for its online petition and other public, "manifestation" images.

When the installation was announced and the artist's backlist is taken into consideration, no other works to date show such type of intolerance. The piece builds upon Delay’s early series “Love’ Is Embarrassing’.

In this unsettling series, Jay Delay has instructed middle-aged and older Duchamp users to drink a batch of his condiments at a distance of a foot from each other. In turn, these users are asked to vouch for each other's taste and taste buds, thereby making the experience as excruciatingly and painfully unpleasant as possible. The panel of four celebrities are accessible to anyone. Eventually, this "platform" could be all amateurs who descend on the sickeningly tasty cocktail with "Independence Day" in the background, their boozy destruction becomes the glorious effect of a Dadaist sea mist.Actually, I'm in complete agreement with manship to complement the now respected Maibock series; poor synergy with craft beer; and overuse of dull imagery to drive your point home. Would love to see more dark magic in the future, but I'll take a whiskey barrel and a sexy red dress over 20 different flavors of "malt liquor " any day. Please, build me another bacchus pub.

To further clarify this is not a collaboration with contemporary toilet artist “Turd Jones’ the “Subversive” street artist who had (somewhat) made up for his own conduct by dying just a few years ago right before he tweeted about the three dead protesters, according to The Virginian-Pilot. As of Monday, “Turd Jones’ has yet to release any statements about the incident. His next album, ‬Turdopolis’, is expected out in July. We, of course, are one with Turd Jones’. GPT-2 (1558M)