My work explores the relationship between childhood memories, nature, and digital abstraction. Growing up, I spent much of my time outdoors, catching insects and exploring my grandparents’ flower garden. I developed a fascination with bees, colors, and the intricate forms of living organisms, creating a lasting connection with the natural world. Throughout my life, I have continued working with gardens and maintaining landscapes, building a deep archive of memories connected to spring and summer.
When listening to electronic music, these memories often resurface. This work investigates how these personal experiences can be translated into a highly digital and abstract visual language, imagining memory as something processed by a computer. Through this perspective, I explore the transformation of organic experiences into artificial, fragmented, and computational forms.