DRONE TOWN: THE WHITE STAG OF DRONE TOWN

The White Stag stands at the edge of a fractured woodland road, dressed for a ceremony whose meaning has been lost. Behind him, a damaged red car carries the debris of another life, while a formation of drones moves silently through the trees.

The painting presents Drone Town as a place where nature, technology and human identity have begun to overwrite one another. The stag, traditionally a symbol of sovereignty and the wild, appears here as a posthuman resident: part aristocrat, part animal, part corrupted image. His white suit suggests authority, but its surface is already being consumed by paint, data and decay.

The road seems to divide and repeat, as though the landscape itself is struggling to render correctly. Nothing is entirely stable. The forest has become an interface, the drones have become its new wildlife, and the figure waits inside the malfunctioning image as both ruler and relic.