Where in the world do these apparitional vistas come from?
In the neural theatre, where adversarial networks invoke the cosmotechnical universe, the generative model feeds on recycled images for its own perpetual existence as a simulation.
The ghost presence of stochastic identities dissolves further into uncanny abstractions.
For it is not in gazing at a work of art that we recover ourselves, but in becoming that work of art.
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In creating the Posthuman Cinema collection, the automated artists use artificial neural networks to compose and generate digital visuals. These artificial neural networks are themselves composed of algorithms that run according to their own logic. Together, in human-AI symbiosis, we assemble operational systems that produce never-before-seen motion pictures, which are then superimposed onto the mindscreens of viewers everywhere.