Toco

This series contains four prints that take place in a magical and nostalgic world that revolves around childhood, while having an uncomfortable presence, reflection of trauma, emotional abandonment and hidden pain.These engravings use the mixture of two techniques etching and aquatint and are 15x15 cm. A metal plate, in this case copper, is used as a matrix. Engraving is done using acid. In etching the matrix plate is polished and covered with a protective layer of wax, the wax is then gently scratched into the engraving patterns. Where there is wax the plate is protected from the acid, where the wax has been scratched the acid will corrode creating grooves. This technique creates lines, to build shades, the aquatint technique is used, in which rosin powder is used to create a granulated film, which allows the creation of several layers and shades of gray reaching an almost black filling. In order for the rosin grains to be spread evenly, special machinery is needed, a large chamber with a lever system that launches the rosin powder into the air, which then falls naturally forming a thin layer on the plate. The areas to be protected are covered with resin and the plate is dipped in acid once for each shade of grey. Printing is done using a press, the paper must be previously moistened and the ink applied to the matrix plate.

A very present figure in some of my works are the lost children. Often sleeping, on the back or with a distant gaze, postures that emphasize loneliness and helplessness. I wonder if it makes sense to feel like an orphan having both parents alive and many other family members as well. These children were lost in magical worlds far removed from abuse and neglect, but the scars caused by trauma accompany them and are images filled with pain. It's as if they expect a rescue that will never come, no one is looking for them. The task of rescuing our inner child is left to us who are wounded adults, but who do not give up on living authentically and freely.