The Pantheon of Rome is enclosed within a Murano glass sphere and transformed through a process of digital glitching. The artwork exists as an immersive environment in both Augmented Reality (AR) and Virtual Reality (VR), allowing viewers to enter the sphere, pass through its transparent surface, and explore from within a Pantheon fragmented into light, reflections, and data. The artisanal tradition of Murano glass meets digital materiality, generating a space where cultural heritage and technology overlap. Suspended between tradition and mutation, the work invites reflection on how historical memory is continuously reinterpreted, reconstructed, and inhabited in the post-digital era.