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These creatures are born from decay.

I generate images of abandoned buildings and ruins using real-time AI. Then I cut them apart in Photoshop — slicing windows, beams, fragments of walls — and reassemble them into strange hybrid beings. Each creature is a collage of destruction: a tower becomes a spine, a broken arch becomes a ribcage, a collapsed roof becomes a skull.

After the assembly, I apply a harsh monochrome filter. High contrast. No midtones. Just black, white, and the ghost of structure.

The result is a series of portraits. Not of people, but of places that have survived themselves.

AI-assisted. Hand-assembled. Digital.