Polaris II

As we approach, our systems can no longer resolve the majesty before us; we draw them down as she begins to communicate.

Process: A Durabrand DCC0903D, Sony HVC-2400, Sony XV-5000, Panasonic WJ-MX50A, Panasonic WJ-MX30, Focus Enhancements MX-4DV, ADC V-300, ADC V-300X and For.A FA-370 dreaming of each other, through each other.

Direct capture via Canopus ADVC-110, edited in Adobe Premiere Pro, stabilized via For.A FA-370, played back through a Durabrand DCC0903D, and rescanned via Nikon D7100 donning an Asahi SMC Takumar 1.8/55, interfaced direct to computer via HDMI to Blackmagic Design UltraStudio Recorder 3G and OBS Studio.

Footage edited in Adobe Premiere Pro, then composed, colour graded and rendered in Adobe After Effects and converted with HandBrake.