outer calm

All the details in the original setting were very basic and delicate. The body, the flowers. But behind the scenes there was tension. That's why I wanted to spoil these frames from the film, to scratch, scratch, scratch, to give nervousness that hung in the air. _ 35mm ilford hp5 plus black and white film. The already developed negatives were treated with bleach and scratched by hand. This work combines part of a scan of the damaged film with an inkjet-printed part from a different angle.

[created for Coalescent, second collective exhibition by Lumineers]