oppress me #1

here we see juxtapositioning of two types of submission and dominance - one imposed by society (represented by the church building) and one sexual, consensual (represented by the male figure). among other things, it raises the question of whether anything really is consensual if we internalize oppressive values while growing up? (the childhood element is represented by the ball with a drawing)

as for the visual language, i like exploring what would be the specifically digital visual language of the moment by eclectically collaging seemingly incoherent visual elements.