Olympic Aquatics 2

in-2011-miguel-de-guzman-set-off-to-explore-the-vast-abandoned-site-of-what-was-to-have-been-the-aquatic-center-for-the-madrid-olympic-games-in-2012-then-2016-then-2020-three-unsuccessful-bids-that-weighed-heavily-on-the-city-councils-funds-and-left-a-22000-square-meter-unfinished-construction-the-concrete-metal-and-glass-structure-designed-by-juan-jose-medina-arch-was-to-house-four-pools-and-accommodate-up-to-17000-spectators-miguel-de-guzman-returned-with-photographs-soiled-by-pending-metal-frames-remnants-of-scaffolding-forgotten-construction-waste-damaged-facades-and-puddles-of-stagnant-water-but-the-aesthetics-of-contemporary-ruin-did-not-appeal-to-him-he-wanted-to-tell-a-different-story-this-is-the-story-of-madrids-olympic-dream-quickly-transformed-into-a-nightmare-a-saga-that-led-the-photographer-to-modify-his-images-and-set-them-in-motion-using-graphic-editing-softwares-he-sublimates-them-adding-water-light-silhouettes-miguel-de-guzman-challenges-the-strict-documentary-nature-of-photography-asserting-its-creative-possibilities-through-contact-with-familiar-techniques-the-photographer-reworks-his-shots-for-them-to-breathe-life-into-neglected-infrastructure-lending-it-an-atmosphere-oscillating-between-dream-and-reality-proposing-different-levels-of-interpretation-different-layers-of-the-story-an-entire-narrative-in-images-the-architecture-of-the-aquatic-center-was-meant-to-be-visionary-but-in-the-end-its-photographs-became-so