This artwork carries another name, intentionally left undocumented by the artist, existing only through word of mouth: “Round Table.”
Created amid reports of Buddhist monks violating monastic discipline, the work incorporates traces of sacred inscriptions, mantras, and reminders of the Four Pārājika offenses. It raises a simple question: If laypeople carry sacred amulets to remind themselves to practice goodness, shouldn't monks also have something to remind them of their spiritual responsibilities?
At the center, a white round table, formed from traditional Thai ceremonial blessing paste, symbolizes a space for reflection and self-examination.
Over time, the paste will dry, crack, peel, and gradually disappear. Rather than resisting this transformation, the artist allows time to become a collaborator in the creative process, reflecting the Buddhist principle of Anicca (impermanence).
Today, we see a table. One day, only traces may remain, while its story continues to be told.