In geometry, a line is the simplest unit: a one-dimensional path traced by a moving point. But a line can be so much more. It can cut with surgical precision. It can trace intimacy, like the curve of a cheek, the parting of hair, the edge of a scar or enforce brutality, as when colonial borders were drawn with rulers across African maps, slicing through kinship, language, and land.
"Migration Lines" is an exploration of this duality. Here, the line is not static. It flows, bends, and accumulates. It binds and separates at once: border and bridge, scar and lifeline. It gestures toward diaspora and multiplicity, to the ways identities are carried, fractured, and reassembled across histories and geographies.
Ultimately, Migration Lines insists that a body is itself a line. A shifting boundary between self and world, perpetually redrawn by politics, perception, and algorithms. To follow these lines is to follow stories of belonging and becoming: messy, layered, unresolved, and in motion.
2025 Ai selftrained LoRa and collaging Photoshop & digital drawing png file 60*90 cm 300 dpi